oh sweet mother of crap!

What happens when you take a Japanese children’s song, a slight grasp of Macromedia Flash, every possible item of pop culture taken from a diseased library of clip art, throw it all in a burlap sack and toss it down the fire escape?

Hyakugojyuuichi!

But of course. This one will hurt hurt! the first time you watch it, but after you catch yourself whistling the tune later in the day, you’ll be inexplicably drawn to it again. And again.


curtis

Cowboy Curtis rocked. Chris was wearing black high-top Reeboks. Jake was wearing an argyle sweater. Neil had a baby megaphone and an 8-track player with foreign language tapes. When Neil broke a guitar string Jake played cheezy filler with the sample song on his keyboard while Nate took off his shirt. For their last song Curtis called the entire audience up on stage and had us all rockin’ among the band.

Their cd finally comes out in April. Look for it.


February 12, 2003

amnicon falls

Amnicon Falls, WI

A short excursion I took a few weeks ago to breathe in some frozen waterfalls. They wanted me to fill out a page of paperwork and pay $3 to be in the park. I refuse to fill out paperwork just to play outside so I took $3 out of my wallet and stuck it under my windshield wiper. When I returned to my car it was still there.

It’s not there anymore, so don’t bother to go lookin’.


super secret update!

As promised, another steaming round of nostalgic Flash crap today!

WEEEEE!

GONADS IN THE LIGHTNING, IN THE LIGHTNING, IN THE RAIN!

Think that’s bad? Tomorrow’s is gonna lodge so deep in your skull you’ll need a box of matches and a shard of glass to dig it out!


February 11, 2003

we can’t stop here

I dashed up the Shore this morning to shoot some photos, and I have a newfound appreciation for anyone that does winter photography.

First off, you need to have gloves, nice warm gloves, that you will remove every five seconds to snap a shot and forget to put back on for ten minutes afterwards. When your hands start to hurt, or worse, when they stop hurting, you need to cram them back in the gloves which are now full of snow because you threw them to the ground in a fit of photographic passion claiming, “I will never need to wear gloves again! This picture will finally throw open the gates of hell and warm humanity!”

Second, you need glasses, and glasses have a nasty habit of fogging up when resting on a 98 degree body surrounded by a 5 degree atmosphere. Third, you find yourself sucking air that’s so cold it feels like your breathing through a rag soaked with rubbing alcohol. If it was soaked with ether things would be different, but winter is a cruel, cruel season that has no room for a man at Circus Circus in the depths of an ether binge.

No, with winter photography it would be best to go with the film canister of cocaine. Even without, I still found myself slipping on ice and falling off cliffs into the Lake.


super important update!!

Ok, so, the internet just plain rocks, but lately I seem to have gotten distracted with less-important things like weblogs and politics and rational thought.

So, for the next few days I’m going to dig up rocking garbage from the past that you probably remember but haven’t really thought of in the last seven hours. Ready?

Murderous Deception! It’s old, old, old, but it’s got a stereotypical French guy, and given our opinions of the French lately it’s new, new, new!



very important news!

I’m gonna make this quick, cuz the mouse on this terminal is really hot for some reason and I want to be somewhere else when it explodes.

My friend Mark is in Italy, and he’s now got photos up over at Silent C’s Secret Desire. Go make him feel welcome!


spiralmind

Ok. So. The thing with complete site redesigns is it forces me to go back and edit pages that I haven’t really considered for years. I just got done with the new “Pure Strangeness” section (which, to any astute observer, is merely Bad Ideas, Tales and Insight tossed in a bin together) under writing, and man, there’s some conked out stuff in there. They’re all copies of old AIM away messages I put up; just random little ditties I would throw together in a few minutes before dashing out the door.

I kind of miss that medium. The stuff I usually paste down here in the weblog are ideas or happenings that have been brewing in my head for awhile, which lends a certain amount of polish and insight to them. But there’s a lot to be said for stream-of-consciousness writing; if not as a legitimate artform, at least as good practice for the real thing.

For me, it all boils down to imagery. I think in words more than anything else, which is probably why I’m a better writer than I am writer or musician. I’m a good photographer as well, but in many ways I find that similar to writing. Whether with word or photo I’m always framing shots, leaving things out of the frame, finding ideal angles, etc. I look at something and wonder how I can translate it into a photo, or if not that, words. It’s all encoding to allow dissemination among the masses.

Photography is nice because everything you need to work with is already right in front of you; you just need to decide what to include and exclude. Writing seems to take place more in a vacuum, where something is created where nothing existed before. But it really isn’t all that mystical, as everything, art, music, photography, words, whatever, all refer back to the same thing.

Stream-of-consciousness is exciting because, even as the writer, you never know where it’s going to go. It’s difficult to pull off stream-of-consciousness photography, as all you end up with are a bunch of blurry photographs that you probably thought were going to turn out ‘really cool’ in the end. Stream-of-consciousness music is even worse. Ever gotten really high with your band and played into a tape recorder for a night? While doing it you were sure that somewhere in all those notes, in those disjunct rhythms and harmonies, you were encoding the Ultimate Answer to the Mysteries of the Universe.

And when you listen back to the tape it sounds like the band got dragged under a truck for six hours.

So with that, I really don’t hold authors that write stream-of-consciousness in very high regard, especially if they claim that it’s this Great and Amazing art that Revolutionizes the Human Concept of Crap. Yes, it’s fascinating how the mind can spin things together when it goes out free-wheelin’, but that doesn’t immediately justify publication. Where I’m from, all great works require a great amount of work to actually be good. The trick is to make the all the sweat and toils invisible to the audience. You work so they don’t have to.

As much as writers may want to dramatize it, writing is not a performance art. Jazz musicians can get away —

ok, I’ve lost interest in this post, and I’m busy talking to friends, so I’m just gonna toss it into the burlap sack and be done with it.